Anthony Vaccarello never fails to conjure magic, season after season, turning the runway into an immersive, otherworldly experience. For the 2025 Saint Laurent show, he summoned the unknown—an atmosphere as mysterious as it was hypnotic.
The front row couldn’t help but be entranced by the set, a surreal landscape that looked like the inner sanctum of the Earth itself—a vast, glittering expanse of agate, or maybe just a massive slab of salt rock. Either way, it was enough to make you feel like you were staring deep into the heart of the universe.
Charli XCX and Chloë Sevigny: A Fashion Encounter
Charli XCX, making her Saint Laurent debut, stepped into the room with the kind of awe you’d expect from a first-timer at the high altar of fashion. “I’m really into how spaces are used at shows,” she said, gazing around, clearly mesmerized. She wasn’t alone in that reverence. Chloë Sevigny was in the mix, her presence a familiar comfort in the chaotic swirl of celebrity. The two had their moment to reconnect, reminiscing about the cultural phenomenon that was Charli’s “360” video, where Sevigny had made an unforgettable cameo.
It wasn’t just the music industry powerhouses that had reason to feel at home. Sevigny, with her razor-sharp sense of humor, joked about her countless campaigns for Saint Laurent—“one of the thousands they seem to do every season.” But beyond the quantity, Sevigny’s admiration for Vaccarello’s vision was clear. “What Anthony’s doing is high-level glamour, and it’s always fun. Very French. Very Yves Saint Laurent,” she said, the weight of her words carrying the kind of nostalgia that only someone who’s lived through it all can muster.
Sevigny spoke of her role in the “360” video like a serendipitous stroke of fate. She was in Los Angeles with a free afternoon when the opportunity landed. “It came through the right channels at the right time. I felt really lucky to be part of it,” she said, eyes sparkling. She’s riding high, with a star-studded project on the horizon—After the Hunt, starring Julia Roberts, Andrew Garfield, and Ayo Edebiri. Directed by Luca Guadagnino, it’s a departure into fresh territory, a testament to the director’s ability to spin across genres with grace and mastery.
Linda Evangelista and the Androgynous Revolution
Then there’s Linda Evangelista, a living legend who made her return to Saint Laurent in a sharp suit and tie from the previous season’s menswear-heavy collection. “I’ve always felt androgynous,” Evangelista confessed. She credits her collaborations with Peter Lindbergh for helping her embrace this identity fully. “I didn’t know I was until he put me in suits, took off the makeup, and put men’s shoes on me. That’s when I started feeling like myself.” The outfit resonated deeply with the supermodel, who noted, “I saw myself in this collection.”
Evangelista’s connection to Saint Laurent is more than just professional—it’s personal. She’s got a long history with the house, forged through her friendship with Yves Saint Laurent himself and countless campaigns over the years. “When there’s an homage to Monsieur Saint Laurent in there, it hits me hard. I worked with him, so it’s all very nostalgic,” she said, her voice thick with reverence.
The Front Row: A Who’s Who of Fashion and Culture
The show’s front row was a mishmash of icons, proving that Vaccarello’s reach stretches far and wide. Amber Valletta and Rosie Huntington-Whiteley added to the star power, while legendary Spanish filmmaker Pedro Almodóvar and Donatella Versace created an interesting pairing, sitting side-by-side amidst the fashion elite.
Among the crowd, K-pop sensation Rosé and “Elvis” star Austin Butler were spotted, making their own statements in their distinct styles. Natalia Dyer and Charlie Heaton, the real-life couple and “Stranger Things” stars, didn’t bother with matching outfits. Dyer’s off-the-shoulder, colorful dress contrasted sharply with Heaton’s all-black look, with a quirky polka-dotted shirt thrown in for good measure.
Dyer, ever the non-conformist, explained her style choice for the night: “I wanted something fun and light.” She took her sartorial quirk to the next level with a single oversized earring. Meanwhile, Heaton was attending his first Saint Laurent womenswear show after several trips to the men’s show, taking a step back from the whirlwind of the Stranger Things finale. “It was a long shoot, a year-long project, so we’re just reintegrating into the world now,” he shared, a bit worn but eager to make the next move right. “We’re at this strange point in life where you’ve spent a decade working on one project. Now I want it to feel right before I dive into something else.”
A Show to Remember
As the show wrapped, Zoë Kravitz was overheard gushing over the big ballgown skirts that closed the collection—bold, dramatic, and unforgettable. Vaccarello, as always, had delivered a powerful mix of sultry and moody, amplified by the mournful tones of Nina Simone’s voice. In the end, this was more than just a fashion show—it was a moment that encapsulated everything Saint Laurent stands for: timeless glamour, rebellious spirit, and an unshakable connection to the past.
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Last modified: March 14, 2025
